American Composers Orchestra

> You Talkin' To Me?: Composer Derek Bermel Speaks His Mind Through A Clarinet
ACO Quarterly Vol. II No. 3 Late Spring 1998


> Music, Not Manifesto: Frederic Rzewski Isn't Running For President
ACO Quarterly Vol. II No. 1 Fall 1997


> On The Edge Of The Millennium: There's No Time Like The Present / Those Were The Days. Or Were They?
ACO Quarterly Vol. III No. 1 Fall 1998


> The Man In Black: New Tango Pianist Pablo Ziegler
ACO Quarterly Vol. II No. 2 Spring 1998


> Improvising Immortality: Composer Robert Ashley & Baritone Thomas Buckner Bring The Future To You
ACO Quarterly Vol. II No. 1 Fall 1997


> Alvin Singleton: 56 Blows (Quis Custodiet Custodies?)
Stagebill Oct. 1999 for ACO Carnegie Hall concert



American Music Center: NewMusicBox

> Looking For Red, White and Blue Between Bach, Beethoven And Brahms: Can American Music Be Found at American Music Festivals?
NewMusicBox Vol.1, No.3 July 1999 "In the 3rd Person"



American Symphony Orchestra League

> Derek Bermel: Dust Dances
appears on NewMusicNow, the American Symphony Orchestra League's website on new American works


> Joan Tower: Fanfare for the Uncommon Woman
appears on NewMusicNow, the American Symphony Orchestra League's website on new American works



Chamber Music Magazine

> Music to the Ear, Affront to the Eye
Classical Music Sites on the Web
Chamber Music Vol. 17 No. 1 (Feb. 2000)



CRI

> Derek Bermel: Soul Garden
liner notes for Emergency Music/CRI 895 (June 2002)


> Marc Peloquin: Chords at Night--The Rare Piano Works of Otto Luening
liner notes for CRI 872 (Feb. 2001)



Smug Magazine

> Cup to Cup with Face to Face
Smug Magazine Vol. II Issue#8 (1996)


> Henry Rollins and Alan Vega: The Rolodex and the Invisible Man
Smug Magazine Vol. II Issue#7 (1996)


> Going Gray With Bad Religion
Smug Magazine Vol. II Issue#1 (1996)


> What's Going On? Wayne Kramer Wants to Know
Smug Magazine Vol. II Issue#3 (1996)



Part of Lost In Brooklyn Studio's services are editorial writing and content/copy editing. In addition to being a design partner of LIB, Mic Holwin is a new music and editorial writer as well as an editor. Holwin, who studied electronic music and performance at Oberlin Conservatory, writes about new music for CRI, Chamber Music magazine, the American Music Center's online magazine NewMusicBox, the American Symphony Orchestra League's NewMusicNow website, and the American Composers Orchestra quarterly (of which she is also editor and designer). She was previously editor of and senior writer covering punk, hardcore and hard rock for Smug Magazine.

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